Petition asks Ali Liebert to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Ali Liebert (film producer) to read screenplay addressing Texas judicial system

Ali Liebert

Ali Liebert – Talent Agents
– Actress, Producer, Director – Bomb Girls (2012), Ten Days in the Valley (2017), Wonder (2017), The Devout (2015) – Red Management, Elena Kirschner – Industry Entertainment, Adam Levine


Ali Liebert & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


Ali Liebert
Ali Liebert
More than 2000 women have signed an open letter to Jana Sandler calling on Ali Liebert and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Ali Liebert at Red Management, Elena Kirschner last week.

In the open letter to Ali Liebert, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Ali Liebert for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actress, Producer, Director, Ali Liebert, has not responded to the petition. Nor has Red Management, Elena Kirschner responded with a comment.

Alan Nafzger
Alan Nafzger

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Ali Liebert has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Ali Liebert is a Actress, Producer, Director known for Bomb Girls (2012), Ten Days in the Valley (2017), Wonder (2017), The Devout (2015) and is represented by Red Management, Elena Kirschner.

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For those who’ve written a short based on a spec feature-film script. I’d advise to include in the contract that the director (or producer) understands the short is based on a copyrighted feature-film script that would be produced should the film become a feature-length production. Be sure the filmmaker knows this when you first submit the short. Add this information to the cover page – ‘Based on the feature-length script ABC’.

Are there drawbacks? Yes. Don’t expect the short to sell for very much and don’t nitpick at the price. Selling a short is really ‘bout going for the credit, not the money. The money will come later. It’s about getting your name out there. So, what do you charge? I’d say the range is between $200 to $2,000 or even just for the credit. The credit is the most important part! Also, be sure to write up a brief contract that states you get the rights to write the feature-length screenplay should the short get picked up. Last, be sure that the contract states you get a copy of the short film’s DVD. To recap, for a sale go for a $0 to low amount to sell, credit is most important, do a brief contract to assure your place as writer of the feature-length film and request a copy of the short film’s DVD. Don’t expect to be invited to the film festivals, unless you are invited, then go!

Why should you care? You’re just trying to sell a script. Well, if the filmmaker gets a feature film deal to expand the short into a feature-length script, guess who gets to write the feature? You! Plus, you’ll get the credit for the short and potentially the feature. This could jumpstart a career in screenwriting.

How do you grab the viewer? Just like in a feature film, start with a unique concept. Next, end with a twist. Regardless of the genre, a twist is imperative for a short film to really captivate its viewers. Why? The viewers aren’t audience viewers, they’re really judges who’ll decide if the filmmakers’ work is good enough to render considering him for a feature film deal or other work. A twist ending makes the short memorable. At the end of a film festival or after watching dozens of reels, a ‘judge’ (could be a festival judge, agent, sales agent, producer, studio, etc.) remembers that comedy with a twist or that horror that shocked him, etc., he’s more likely to cut a deal with the filmmaker.

· CLOSING IMAGE: Which is often a variation of the Opening Image

· FINAL BOWS: We need to see all our favorite characters one final time (this may happen earlier, in the Team Battle, or it may be combined with the Ceremony)

· CEREMONY AND AWARDS: Not all stories have this element, but mythic structure stories very often have a step in the Resolution in which the hero/ine and team are honored by the community that they have just saved

· RESOLUTION: We get a glimpse into the New Way of Life that the hero/ine will be living after this whole ordeal and all s/he’s learned from it