Petition asks Brandon T. Jackson to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Brandon T. Jackson (film producer) to read screenplay addressing Texas judicial system

Brandon T. Jackson

Brandon T. Jackson – Talent Agents
– Actor, Producer, Writer – Tropic Thunder (2008), Percy Jackson & the Olympians: The Lightning Thief (2010), Percy Jackson: Sea of Monsters (2013), Big Mommas: Like Father, Like Son (2011) – United Talent Agency (UTA), Ali Benmohamed –


Brandon T. Jackson & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


Brandon T. Jackson
Brandon T. Jackson
More than 2000 women have signed an open letter to Jana Sandler calling on Brandon T. Jackson and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Brandon T. Jackson at United Talent Agency (UTA), Ali Benmohamed last week.

In the open letter to Brandon T. Jackson, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Brandon T. Jackson for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actor, Producer, Writer, Brandon T. Jackson, has not responded to the petition. Nor has United Talent Agency (UTA), Ali Benmohamed responded with a comment.

Alan Nafzger
Alan Nafzger

The screenplayDumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Brandon T. Jackson has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Brandon T. Jackson is a Actor, Producer, Writer known for Tropic Thunder (2008), Percy Jackson & the Olympians: The Lightning Thief (2010), Percy Jackson: Sea of Monsters (2013), Big Mommas: Like Father, Like Son (2011) and is represented by United Talent Agency (UTA), Ali Benmohamed.

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A mad bomber’s on the loose in L.A. (external conflict)


Here’s how they play out:

Both the external and internal conflicts are established in Act I.

So it’s essential to know where you want your character to end up, and then you can work backward to create a number of personal obstacles and external problems that are keeping that character from being everything s/he can be.

Closely entwined with the inner/outer desire lines is the ARC of the character. As I said in the last chapter, the arc of the character is what the character learns during the course of the story and how s/he changes because of it. The arc of a character is almost always about the character realizing that s/he’s been obsessed with an outer goal or desire, when what she really needs to be whole, fulfilled, and lovable is ________ (fill in the blank). On top of that, a character will go from shy and repressed to a capable and respected leader, from selfish to altruistic, from a pathological liar to a seeker of truth… and the bigger the change, the more impact the story will have (but be careful to keep it believable).


I said this in the last chapter, but it’s worth repeating: it’s usually true that the external desire will be a selfish want: something the protagonist wants for him or herself, and the inner need will be unselfish: something the protagonist comes to want for other people. This transition of awareness and priority from external desire to internal need is a great way to show growth in a character.