Petition asks Nick Searcy to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Nick Searcy (film producer) to read screenplay addressing Texas judicial system

Nick Searcy asked to read prison screenplay

Nick Searcy – Talent Agents
– Actor, Director, Producer – The Shape of Water (2017), Three Billboards Outside Ebbing, Missouri (2017), Justified (2010), Fried Green Tomatoes (1991) – Agency for the Performing Arts (APA), Dan Baron – LINK Entertainment, Erik Kritzer

Dumbass, A Glimmer in the Darkness, The Fix, Where I’m Bound

Nick Searcy & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


Nick Searcy

More than 2000 women have signed an open letter to Adam Sandler calling on Nick Searcy and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Nick Searcy at Agency for the Performing Arts (APA), Dan Baron last week.

In the open letter to Nick Searcy, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Nick Searcy for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actor, Director, Producer, Nick Searcy, has not responded to the petition. Nor has Agency for the Performing Arts (APA), Dan Baron responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplayDumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

During the winter’s deep freeze, the The Marshall Project, exposed the horrible prison conditions, “Inside Frigid Texas Prisons: Broken Toilets, Disgusting Food, Few Blankets.”

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Nick Searcy has not commented on the script, thus far. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Adam Sandler of Happy Madison Productions has expressed interest in the screenplay.

Nick Searcy is a Actor, Director, Producer known for The Shape of Water (2017), Three Billboards Outside Ebbing, Missouri (2017), Justified (2010), Fried Green Tomatoes (1991) and is represented by Agency for the Performing Arts (APA), Dan Baron.

——————- READ MORE ——————-


Finally, the writer has learned how to interconnect the internal and external conflicts, create plot irony, establish genre and grab the reader in the first ten pages. The writer also learned how to commercialize a 3-Act structure, but now we’re going to take an in-depth look at how to idiot-proof the 3-Act structure to assure the writer gets the Hollywood gatekeepers (readers) and gets their script into the hands of the buyers; the producers.

In the introduction I talk about how commercializing material can actually aid creativity. Well, here’s one of those moments because coming up with a creative way to introduce your story/character that grabs the reader will help commercialize the material and will guarantee you “hook “ the reader in the first ten pages. So when your script ends up in a stack of" 786 target="_blank">screenplays, the writer will know he’ll end up in the 2-5 script stack headed to the producer!

Imagine if Raiders of the Lost Ark had opened with Indiana Jones in his university classroom teaching archaeology. Boring! Instead we see him swiping a treasure from its historic resting place only to have him race through a maze of deadly traps. He’s still at his day job. It’s just been presented in a far more intriguing way that acts as an inciting incident and keeps the audience watching.


I’ll go back to the dark mirror aspect of the antagonist and protagonist: when you’re aware of this dynamic, it can really help you to create a symbiotic and thematic relationship between the hero/ine and the antagonist. The antagonist can actually help you detail and deepen your hero/ine.


And another thing: defining the nature of the antagonist will often help you define your other characters.