Jason London screenplay – Actor | Producer | Writer, Dazed and Confused (1993) | To Wong Foo Thanks for Everything, Julie Newmar (1995) | The Man in the Moon (1991)
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Jason London screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Jason London’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Jason London – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Jason London and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Jason London production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Jason London’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Jason London and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Jason London:
Jason London website: https://www.amazon.com/
Now that you’ve learned how to take an external conflict and layer it with an internal conflict to make a viable scenario that forces a hero to change – all via a strong antagonist – let’s talk theme. If the hero had a courage issue and the gem heist forced him to be courageous in order to save the day, then the theme would involve finding the courage within ourselves to save the day.
If the two are not linked, the story fails!
Jason London – The external conflict MUST be something that directly challenges the hero’s flaw. If he has a courage issue, then the external conflict should force him to be courageous. If he has an anger issue, the external conflict should force him to deal with his anger like in the movie Anger Management. This in turn results in the hero’s arc – he changes as a result of the external conflict.
It’s okay to start with an external conflict. Maybe you’d like to rob a loot of gems being carried on an Amtrak. Okay, that’s an external conflict. You create a hero who’s a former cop and put him aboard the train. Okay, that sounds good, but that’s where most writers go into shoot ‘em bang, bang mode and never touch upon the hero’s internal conflict. Before the hero boards the Amtrak let the audience get a taste of his internal conflict. Show his marriage falling apart. Show him losing his job. All of this due to an anger or courage issue, then introduce him to the external conflict. You can introduce the audience to the external issue as soon as the movie opens, but hold off on getting the hero in the mix until you’ve identified his internal conflict.
The Hero/ine makes that last New Plan
Jason London – ACT III
That leads to a New Plan for the Final Battle.
And then, out of that compete despair comes a New Revelation for the Hero/ine
by: Jason London – Actor | Producer | Writer, Dazed and Confused (1993) | To Wong Foo Thanks for Everything, Julie Newmar (1995) | The Man in the Moon (1991)