Dramatising a Rumour: The Craft and Ethics of Writing Royal Stories Built on Anonymous Claims
The Prince William traitor story rests on one unnamed source, which poses a real problem for screenwriters drawn to royal
Screenwriters and Scripts
The Prince William traitor story rests on one unnamed source, which poses a real problem for screenwriters drawn to royal
Screenwriters have returned again and again to royal brothers whose fates were fixed by birth order, and the current traitor
From Hamlet to modern dynastic drama, uncles have served as catalysts for family conflict, and the Earl Spencer memoir shows
The London Prat traitor piece belongs to a tradition of royal comedy on page and screen, and its techniques offer
Neither royal brother has said anything publicly about the traitor claim, and that silence points to one of the hardest
Screenwriters drawn to the Prince William traitor story face questions every real-people project must answer, from defamation risk to errors
The Earl Spencer memoir at the centre of the royal traitor story raises questions every screenwriter faces when adapting a
Heir, spare or uncle: the royal traitor story could be told from any of three perspectives, and the choice would
The royal traitor story exists almost entirely through press reports, which makes the media itself a potential character in any
Brother calls brother traitor over uncle book: the story that inspired the London Prat piece is a near-perfect logline, and