Petition asks Cassandra Jean Amell to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Cassandra Jean Amell (film producer) to read screenplay addressing Texas judicial system

Cassandra Jean Amell asked to read prison screenplay

Cassandra Jean Amell – Talent Agents
– Actress, Producer, Director – Mad Men (2007), One Tree Hill (2003), Roswell, New Mexico (2019), Yellow (2012) – Play Management, Kalee Harris – Elevate Entertainment, Stephanie Moy


Cassandra Jean Amell & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


Cassandra Jean Amell

More than 2000 women have signed an open letter to Adam Sandler calling on Cassandra Jean Amell and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Cassandra Jean Amell at Play Management, Kalee Harris last week.

In the open letter to Cassandra Jean Amell, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Cassandra Jean Amell for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actress, Producer, Director, Cassandra Jean Amell, has not responded to the petition. Nor has Play Management, Kalee Harris responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplayDumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

During the winter’s deep freeze, the The Marshall Project, exposed the horrible prison conditions, “Inside Frigid Texas Prisons: Broken Toilets, Disgusting Food, Few Blankets.”

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Cassandra Jean Amell has not commented on the script, thus far. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Adam Sandler of Happy Madison Productions has expressed interest in the screenplay.

Cassandra Jean Amell is a Actress, Producer, Director known for Mad Men (2007), One Tree Hill (2003), Roswell, New Mexico (2019), Yellow (2012) and is represented by Play Management, Kalee Harris.

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Most of us have a group of friends, relatives or co-workers we discuss films with. By the way, during these conversations I don’t tell them it’s just an idea. I simply hit them with it, usually when we’re talking about recent movies we’ve seen. I once had a friend call me back wanting to know the title of the film I told him about. Well, it isn’t a film – – yet! My friends are in habit of asking me, “Is that something you’re working on or can we go see it today?” If you tell them up front it’s your idea they’ll like it automatically (friends don’t want to hurt your feelings), so hit them with the idea and watch for their initial reaction.

#2 Don’t wait until you complete a script or it becomes a movie to see if people like it or not.

#1 The screenwriter must be passionate about the idea or the story will fall flat. Passion shows in material – – only use ideas you are passionate about. Passion is defined as a story that keeps you up late and gets you up early to work on it. You simply can’t let it go!

But how does a screenwriter know right up front if an idea is commercially viable?

So if you’re writing a story like It’s A Wonderful Life, it’s not going to help you much to study Apocalypse Now. A story that ends with a fallen hero/ine is not going to have the same story shape as one that ends with a transcended hero/ine. (Although if both kinds of films end up on your list of favorite stories, you might find one is the other in reverse. That’s why you need to make your own lists!)

But with a romantic comedy or classic romance, there’s no mystery involved. 99.99% of the time the hero and heroine are going to end up together. The game in that genre is often to show, through the hero and heroine, how we are almost always our own worst enemies in love, and how we throw up all kinds of obstacles in our own paths to keep ourselves from getting what we want.

For example, with a mystery, the game is “Whodunit?” You are going to toy with a reader or audience’s expectations and lead them down all kinds of false paths with red herrings so that they are constantly in the shoes of the hero/ine, trying to figure the puzzle out.

Every genre has its own structural patterns and its own tricks. Screenwriter Ryan Rowe says it perfectly: “Every genre has its own game that it’s playing with the audience.”