George Segal (I) screenplay – Who’s Afraid of Virginia Woolf? (1966) | 2012 (I) (2009) | Look Who’s Talking (1989), 3,964down558875′ 10½”
FOR IMMEDIATE RELEASE
George Segal (I) screenplay subject of prison petition
FREE: download the script by George Segal (I) today!
Petition Addressing the Texas Judicial System Requests Support through George Segal (I)’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
George Segal (I) – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director George Segal (I) and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the George Segal (I) production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About George Segal (I)’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, George Segal (I) and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact George Segal (I):
George Segal (I) website: https://www.amazon.com/
A big entrance makes for a memorable character.
Boring characters are boring to watch, especially upon initial introduction.
George Segal (I) – The more intriguing the introduction, the more interested the audience will be in the character.
The more intriguing the entrance, the more attractive the role to an A-List actor or actress.
– One of my favorite romantic comedies of all time, The Philadelphia Story, uses a classic technique to keep that wedding sequence sparkling: every single one of that large ensemble of characters has her or his own wickedly delightful resolution. Everyone has their moment to shine, and insanely precocious little sister, Dinah, pretty nearly steals the show (from Katharine Hepburn, Jimmy Stewart, and Cary Grant!!) with her last line: “I did it. I did it all.”
George Segal (I) – So again, if you’re writing this kind of story, make your list and look at what great romantic comedies have done to elevate the cliché.
An archetypal setting for the Final Battle in romantic comedy is an actual wedding. We’ve seen this scene so often you’d think there’s nothing new you can do with it. But of course a story about love and relationships is likely to end at a wedding.
In a romance, the Final Battle is often the hero/ine finally overcoming his or her internal blocks and making a DECLARATION or PROPOSAL to the loved one. And I’ve noticed that a lot of romances do the declaration in a one-two punch, two separate scenes: the recalcitrant lover makes his or her declaration, even does some groveling, apparently to no avail, and only in a later, final scene does the loved one show up with a declaration of his or her own.
by: George Segal (I) – Who’s Afraid of Virginia Woolf? (1966) | 2012 (I) (2009) | Look Who’s Talking (1989), 3,964down558875′ 10½”