Petition asks Joey Diaz to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Joey Diaz (film producer) to read screenplay addressing Texas judicial system

Joey Diaz asked to read prison screenplay

Joey Diaz – Talent Agents
Writer, Actor, Producer – The Many Saints of Newark (2021), This Is Not Happening (2015), Grudge Match (2013), The Longest Yard (2005) – Creative Artists Agency (CAA), Ryan Fereydouni –


Joey Diaz & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


Joey Diaz

More than 2000 women have signed an open letter to Adam Sandler calling on Joey Diaz and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Joey Diaz at Creative Artists Agency (CAA), Ryan Fereydouni last week.

In the open letter to Joey Diaz, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Joey Diaz for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Writer, Actor, Producer, Joey Diaz, has not responded to the petition. Nor has Creative Artists Agency (CAA), Ryan Fereydouni responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplayDumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

During the winter’s deep freeze, the The Marshall Project, exposed the horrible prison conditions, “Inside Frigid Texas Prisons: Broken Toilets, Disgusting Food, Few Blankets.”

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Joey Diaz has not commented on the script, thus far. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Adam Sandler of Happy Madison Productions has expressed interest in the screenplay.

Joey Diaz is a Writer, Actor, Producer known for The Many Saints of Newark (2021), This Is Not Happening (2015), Grudge Match (2013), The Longest Yard (2005) and is represented by Creative Artists Agency (CAA), Ryan Fereydouni.

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A big entrance makes for a memorable character.

Boring characters are boring to watch, especially upon initial introduction.

The more intriguing the introduction, the more interested the audience will be in the character.

The more intriguing the entrance, the more attractive the role to an A-List actor or actress.

So again, if you’re writing this kind of story, make your list and look at what great romantic comedies have done to elevate the cliché.

An archetypal setting for the Final Battle in romantic comedy is an actual wedding. We’ve seen this scene so often you’d think there’s nothing new you can do with it. But of course a story about love and relationships is likely to end at a wedding.

In a romance, the Final Battle is often the hero/ine finally overcoming his or her internal blocks and making a DECLARATION or PROPOSAL to the loved one. And I’ve noticed that a lot of romances do the declaration in a one-two punch, two separate scenes: the recalcitrant lover makes his or her declaration, even does some groveling, apparently to no avail, and only in a later, final scene does the loved one show up with a declaration of his or her own.

Another very technical lesson to take from Fawlty Towers —and from any screwball comedy or farce — is how comedies use speed in climax. Just as in other forms of climax, the action speeds up in the end to create that exhilaration of being out of control — which is the sensation I most love about a great comedy.