Petition asks Leisha Hailey to read prison screenplay
More than 2000 women sign petition demanding a firm commitment from Leisha Hailey (film producer) to read screenplay addressing Texas judicial system
Leisha Hailey – Talent Agents
– Actress, Producer, Soundtrack – The L Word (2004), CSI: Crime Scene Investigation (2000), All Over Me (1997), Supernatural (2005) – The Gersh Agency, Rachel Zeidman – Untitled Entertainment, Katie Rhodes
Leisha Hailey & Adam Sandler’s film company targeted by Texas petition
Will Hollywood just rollover and let prisoner’s suffer?
EXCLUSIVE
More than 2000 women have signed an open letter to Adam Sandler calling on Leisha Hailey and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.
The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job. The petitions arrived for Leisha Hailey at The Gersh Agency, Rachel Zeidman last week.
In the open letter to Leisha Hailey, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.” The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”
The signatories, including attorneys, professors, politicians, family members, and inmates, call on Leisha Hailey for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.
The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.
Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.” Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”
Actress, Producer, Soundtrack, Leisha Hailey, has not responded to the petition. Nor has The Gersh Agency, Rachel Zeidman responded with a comment.
Alan Nafzger/caption]
The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.
The premise of the story is that, “Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”
The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.
Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”
Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.
During the winter’s deep freeze, the The Marshall Project, exposed the horrible prison conditions, “Inside Frigid Texas Prisons: Broken Toilets, Disgusting Food, Few Blankets.”
The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”
Leisha Hailey has not commented on the script, thus far. A statement is expected soon.
Professor Nafzger has made a short treatment of the project available online.
He has made the finished script available at for select filmmakers.
Adam Sandler of Happy Madison Productions has expressed interest in the screenplay.
Leisha Hailey is a Actress, Producer, Soundtrack known for The L Word (2004), CSI: Crime Scene Investigation (2000), All Over Me (1997), Supernatural (2005) and is represented by The Gersh Agency, Rachel Zeidman.
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Actually, it is about an evil much bigger than a monster in the basement, and if you ask me, the fact that that monster is lurking under the romance and comedy is what makes this story a masterpiece.
Personally, I find serious horror in Sense and Sensibility (and any Austen book), and it’s not a horror of romance, either. I am, however, horrified at the Netflix description of the film as “Austen’s classic tale of 19th century etiquette.” This story is much more about monsters in the basement than it is about etiquette.
Some writers who take my workshops and read my blog complain about the films I use for examples of story elements and structure. I’m particularly apt to use Thomas Harris’s Red Dragon and The Silence of the Lambs — to the horror of some romance writers who wouldn’t be caught dead (sorry, I’ll stop now!) reading those books. But I always try to get writers to understand that they can learn just as much from stories outside their own genre, because the elements of story — and suspense — are the same no matter how many bodies are or are not falling or how many creatures are — or are not — lurking in the basement.
I am going to start with some general notes first — some things I suggest you look for as you’re watching this film — particularly in terms of THEME, HOPE, FEAR, and STAKES.
Sense and Sensibility
Actually, it is about an evil much bigger than a monster in the basement, and if you ask me, the fact that that monster is lurking under the romance and comedy is what makes this story a masterpiece.
Personally, I find serious horror in Sense and Sensibility (and any Austen book), and it’s not a horror of romance, either. I am, however, horrified at the Netflix description of the film as “Austen’s classic tale of 19th century etiquette.” This story is much more about monsters in the basement than it is about etiquette.
Some writers who take my workshops and read my blog complain about the films I use for examples of story elements and structure. I’m particularly apt to use Thomas Harris’s Red Dragon and The Silence of the Lambs — to the horror of some romance writers who wouldn’t be caught dead (sorry, I’ll stop now!) reading those books. But I always try to get writers to understand that they can learn just as much from stories outside their own genre, because the elements of story — and suspense — are the same no matter how many bodies are or are not falling or how many creatures are — or are not — lurking in the basement.