Nikolaj Coster-Waldau screenplay – Actor | Producer | Writer, Game of Thrones (2011-2019) | Oblivion (I) (2013) | Gods of Egypt (2016)


Nikolaj Coster-Waldau screenplay subject of prison petition

FREE: download the script by Nikolaj Coster-Waldau today! 

Petition Addressing the Texas Judicial System Requests Support through Nikolaj Coster-Waldau’s “Dumbass”

Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?

Nikolaj Coster-Waldau – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Nikolaj Coster-Waldau and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Nikolaj Coster-Waldau production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.

PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.

SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.

It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.

To know more visit

About Nikolaj Coster-Waldau’s “Dumbass” Movie

The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Nikolaj Coster-Waldau and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.

Nikolaj Coster-Waldau screenplay subject of prison petition

Contact Nikolaj Coster-Waldau:

Nikolaj Coster-Waldau website:

Sound to Sound

Here’s how these work:

Nikolaj Coster-Waldau – Sound to Visual

Dialogue to Visual

31. Voice

Nikolaj Coster-Waldau – I’m bringing up the point to get you to start looking for meta structure, because when you add this narrative tool to your ever-expanding toolbox (hmm, that sounds intriguingly dirty, doesn’t it?) you may just hit on the perfect meta structure for your own story.

Your story might not have a meta structure like that. Many classic movies and books do not have this kind of meta structure. Raiders of the Lost Ark, Jaws — they’re great, high concept stories, but I don’t think you can say that there’s a meta structure operating in those stories the way there is in the other stories I’ve listed.

Okay, so each of these premises tells you exactly how to tell that story, right? Each story almost has to be told the way that it is told.

by: Nikolaj Coster-Waldau – Actor | Producer | Writer, Game of Thrones (2011-2019) | Oblivion (I) (2013) | Gods of Egypt (2016)