Rebecca Romijn screenplay – Actress | Producer | Soundtrack, X-Men (2000) | Femme Fatale (2002) | X2: X-Men United (2003)


Rebecca Romijn screenplay subject of prison petition

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Petition Addressing the Texas Judicial System Requests Support through Rebecca Romijn’s “Dumbass”

Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?

Rebecca Romijn – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Rebecca Romijn and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Rebecca Romijn production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.

PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.

SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.

It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.

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About Rebecca Romijn’s “Dumbass” Movie

The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Rebecca Romijn and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.

Rebecca Romijn screenplay subject of prison petition

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What if a character is in a different room in a house than the scene is being shot in, yet we can hear him talking?

The trick is to pick one and stick with it consistently throughout the script. For example, if the writer decides to use (V.O.) for all phone conversations in Act I, then don’t switch to (FILTERED) in Act II. Consistency is the mark of a pro!

Rebecca Romijn – This type of dialogue cue indicator can be used instead of (FILTERED) or (V.O.)


This is a great example of how plants not only can pay off for emotional effect, but can become an integral part of the structure of a story.

Rebecca Romijn – And the twist is, that injury and Rod’s recovery on the field, and his bonding with the stadium audience in that moment, is what gets him the contract he’s been looking for all along.

And then in the climactic game, what happens? Rod takes a huge hit and is knocked out – while he is still not under contract. It’s our greatest fear made manifest and plays for maximum emotional impact because it has been set up and spelled out so clearly.

We are reminded of this fear when Rod signs a football for a man in a wheelchair: it’s a visual representation of what could happen to him.

by: Rebecca Romijn – Actress | Producer | Soundtrack, X-Men (2000) | Femme Fatale (2002) | X2: X-Men United (2003)